Outside his garden, a grouping of daywear looks featured ivory suiting—pencil skirts, trousers, open jackets—all fronted in a double row of gold buttons. The look was his Parisian ideal, Murad explained before the show. Then he singled out a New Look-style outfit in guipure lace as his synthesis of modern femininity. But if any pieces in the collection adhered to that description, they were the ones that showed off the upper back, their fabric scooped out or cross-strapped like swimsuits.
This was an overzealous collection for the designer, who continues to hold firm to classic, OTT notions of couture. Even his pastel hues appeared extra saturated, as if viewed through an Instagram filter. It feels somewhat Debbie Downer to rain on Murad’s petal parade—and his dolled-up devotees were definitely cheering from the sidelines—but there’s no question he’s stronger when working in a lower register. A couple hundred fewer flowers next time, perhaps.